MidlothianVirginia(VA) Likavec, Michael A. personal infomation and areas of practice

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Midlothian Virginia lawyer Likavec, Michael A.

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In part as a reaction to this distributor-driven model of copyright licensing, programmers developed what is now known popularly as "Open Source" licensing. The development of this manner of software development and licensing has been described well elsewhere and will not be repeated here. For more details on the history, read Free As In Freedom (Sam Williams, O'Reilly 2002), The Cathedral & The Bazaar (Eric S. Raymond, O'Reilly 2001), and Open Sources: Voices from the Open Source Revolution (DiBona et al., O'Reilly, 1999).. The fundamental purpose of open source licensing is to deny anybody the right to exclusively exploit a work. Typically, in order to permit their works to reach a broad audience, and, incidentally, to make some sort of living from making works, creators are required to surrender all, or substantially all, of the rights granted by copyright to those entities that are capable of distributing and thereby exploiting that work.. Because these entities, by their very nature, do not see work as work in the first instance, but rather as the source of an income stream flowing from its exploitation, they are jealous of their right to exclusive exploitation of the work. They are similarly reluctant to share any part of the value of the work with others. While the potential consumers of a literary or musical work will be limited by the costs of acquiring the work?costs that are set exclusively by the person or entity that controls the right to distribute it?market forces will tend to reduce prices so as to maximize returns to that person or entity. Because the marginal costs of mechanical reproduction are relatively low, selling more copies of a work (at lower prices) will generally result in a larger stream of income to the publisher.. As a result, publishers fiercely defend the copyrighted work from unauthorized distribution of copies of the work itself or creation of derivative works based on the work. In the case of artistic works, the problem of unauthorized distribution of the original work is more common. While unauthorized derivative works occasionally result in lawsuits or other disputes, the value of artistic or aesthetic works relies on their original form of expression: they are "non-dynamic."

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